Tuesday, February 9, 2010

Birdsong

1. What does Azaire's conduct as a businessman say about his character, and what is Stephen's response to it? How does Azaire's treatment of the men who work for him reflect his treatment of his wife?

2. Does Stephen see Isabelle as a captive? Does she see herself the same way?

3. Why does Isabelle leave Stephen? How does her departure affect his identity as a soldier, the way he approaches the war, and the manner in which he conducts himself during it?

4. What premonitions of war and death does Faulks give us in the 1910 section of the book? Where and when does Stephen have visions of death within the lush beauty of prewar Picardy? Do you feel that these visions are simple premonitions, or is the predisposition to such images a part of Stephen's character?

5. How would you describe the character of Jack Firebrace? What do his letters to Margaret reveal about his character, his values, his code of behavior?

6. The soldiers tend to forget very quickly the names and characters of their friends who die. Do you find this shocking?

7. Throughout the war, Stephen feels a real hatred for the enemy. Do you believe that this hatred is genuine, or that Stephen has persuaded himself of it so as to give meaning and order to his existence? How does the fact that it is German soldiers who ultimately rescue him change his life--and theirs?

8. In the life of the trenches, Stephen reflects, "There was only violent death or life to choose between; finer distinctions, such as love, preference, or kindness, were redundant". This is Stephen's view of events, reading his story. Do you find that the soldiers have really lost their sense of finer distinctions?

9. Stephen and Weir enjoy an unlikely but intense friendship. What is it about Weir's character that makes Stephen love him more than any of the others? Does Stephen change in any way after Weir's death?

10. Elizabeth is spurred on in her research by a feeling of the "danger of losing touch with the past". Does her ignorance of recent history surprise you, or do you find it characteristic of her generation? Do you find that you, and the people around you, are similarly detached from the past?

11. What does Elizabeth, the granddaughter, represent? And her baby? In what ways does history repeat itself in her life?

12. Why has the author set this story about war against the backdrop of a passionate affair? Explore the various parallels drawn between desire and death, love and war, in the novel. In what ways are the love scenes similar to some of the battle scenes?

Sunday, January 10, 2010

Perfume by Patrick Suskind


1. Jean-Baptiste Grenouille is born in a food market that had been erected above the Cimetire des Innocents, the "most putrid spot in the whole kingdom". He barely escapes death at his birth; his mother would have let him die among the fish guts as she had her four other children. But Grenouille miraculously survives. How would you relate the circumstances of his birth to the life he grows up to live?

2.Throughout the novel, Grenouille is likened to a tick. Why do you think Süskind chose this analogy? In what ways does Grenouille behave like a tick? What does this analogy reveal about his character that a more straightforward description would not?

3. What motivates Grenouille to commit his first murder? What does he discover about himself and his destiny ater he has killed the red-haired girl?

4. Do the descriptions of life in eighteenth-century France--the crowded quarters, the unsanitary conditions, the treatment of orphans, the punishment of criminals, etc.--surprise you? How are these conditions related to the ideals of enlightenment, reason, and progress that figure so prominently in eighteenth-century thinking?

5. The narrator remarks, "Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it" [p. 82]. Do you think this is true? Why would an odor have such power? In what ways does Grenouille use this power to his advantage?

6. Does Suskind manage to make Grenouille a sympathetic character, in spite of his murders and obsessions? Or do you find him wholly repellent? to what extent do his exoperiences shape his behaviour? Or do you think he is inherently evil?

7. Grenouille becomes, toward the end of the novel, a kind of olfactory vampire, killing young women to rob them of their scents. "What he coveted was the odor of certain human beings: that is, those rare humans who inspire love. These were his victims" [p. 188]. Why does he need the scents of these people?

8. How do you interpret the novel's ending, as Grenouille returns to the Cimeti�re des Innocents and allows himself to be murdered and eaten by the criminals who loiter there? What ironies are suggested by the narrator's assertion that Grenouille's killers had just done something, for the first time, "out of love" [p. 255]?

9. Perfume is set in eighteenth-century France and tells an extravagant story of a man possessed with a magical sense of smell and a bizarrely destructive obsession. Do its historical setting and fantastic elements make it harder or easier to identify with? What contemporary issues and anxieties does the story illuminate?

Cat's Eye by Margaret Atwood



As only three (of the seven) members had finished reading the book it seemed a bit pointless following the questions. Instead those who hadn't finished (or started) it gave their reasons why - Christmas preparations being one of them! The issues of bullying and the negative self esteem sat wrongly for some.

For those who had finished reading, their reasons were that they wanted to see if redemption and forgiveness were there at the end - or did Elaine fight back against her tormentors? if at all. Another wanted to see what coping strategies were used.

For me it was a bit of a journey - a bit uncomfortable in places (although thankfully I've never been buried alive etc:) ) but I felt I really needed to finish reading this particular book.

Thursday, October 29, 2009

1. Toulouse-Lautrec often based his images on women from all walks of life. Who are some of the women who inspired him?

2. Lautrec's greatest artistic achievement was his contribution to the art of lithography. Who were some of his predecessors and contemporaries?

3. Who were the painters among his contemporaries admired by Lautrec? Do you see any similarities bewteen his work and theirs (for example, the works of Degas)?

4. What are some of the themes dealt with by Lautrec in his work?

5 Choose an example of an early work by Lautrec and compare it with an example of a later work.


6 Apart from his achievement as a printmaker, what do you consider to be Lautrec's most important contributions to the history of art?

Friday, October 2, 2009

That Old Ace in the Hole by Annie Prouix

1 'Long recitations of local history give a sense if having lingered too long in a county library. 'Do you agree with this estimations of Prouix's novel?

2 Would you describe the sub-stories as 'pointless' or does this judgement miss the point?

3 One critic remarks that Prouix's 'cartoonish names sometimes threaten to topple the novel's sense of reality.' What did you think of the author's nomenclature? Why is Bob Dollar so called?

4 Is the novel realistic? Why/why not?

5 Is Bob Dollar's job morally indefensible? Why/why not?

6 Why does Orlando turn up at Woolybucket?

7 Are hog farms simply another environmental horror in a long chain of horrors? Is 'business' (LaVon's term for capitalism) the culprit? discuss

8 Why does the author portray her main idealist, Brother Mesquite, as a member of a religious order?

9 Orlando's risque means of making a fortune strikes us as a comic ploy, but what comparison might Prouix be making between post modern 'occupation' and the traditional ways she clearly values? (pp249-251)

10 The Old Ace in the Hole is on the whole a 'white' novel. What is Prouix's reason for introducing an old Indian hitchhiker in Chapter 27?

11 Annie Prouix usually doesn't offer and upbeat ending. how does this one fit with the panhandle history of hardscrabble lives that forms the substance of this book? What did you think of the way the novelist rounded everything up?

12 'There is such a longing, on the part of the author and reader, for the panhandlers to beat off Global Pork Rind, that there is a danger, not entirely averted, of the story becoming sentimental. What's your opinion?

13 What hope do you think the author has? What hope do you have in the face of ongoing environmental destruction?

A Thousand Splendid Suns by Khalid Hosseini

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss and by fate. As they endure the ever escalating dangers around them --- in their home as well as in the streets of Kabul --- they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, Hosseini shows how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival.


1. The phrase “a thousand splendid suns,” from the poem by Saib-e-Tabrizi, is quoted twice in the novel – once as Laila’s family prepares to leave Kabul, and again when she decides to return there from Pakistan. It is also echoed in one of the final lines: “Miriam is in Laila’s own heart, where she shines with the bursting radiance of a thousand suns.” What do you think it's signifence is to the book?

2. Mariam’s mother tells her: “Women like us. We endure. It’s all we have.” Discuss how this forms Mariam’s life and how it relates to the larger themes of the novel.

3. By the time Laila is rescued from the rubble of her home by Rasheed and Mariam, Mariam’s marriage has become a miserable existence of neglect and abuse. Yet when she realizes that Rasheed intends to marry Laila, she reacts with outrage. Given that Laila’s presence actually tempers Rasheed’s abuse, why is Mariam so hostile toward her?

4. Laila’s friendship with Mariam begins when she defends Mariam from a beating by Rasheed. Why does Laila take this action, despite the contempt Mariam has consistently shown her?

5. Growing up, Laila feels that her mother’s love is reserved for her two brothers. “People,” she decides, “shouldn’t be allowed to have new children if they’d already given away all their love to their old ones.” What lessons from her childhood does Laila apply in raising her own children?

6. At several points in the story, Mariam and Laila pass themselves off as mother and daughter. What is the symbolic importance of this subterfuge? In what ways is Mariam’s and Laila’s relationship with each other informed by their relationships with their own mothers?

7. One of the Taliban judges at Mariam’s trial tells her, “God has made us different, you women and us men. Our brains are different. You are not able to think like we can. Western doctors and their science have proven this.” What is the irony in this statement? How is irony employed throughout the novel?

8. Mariam refuses to see visitors while she is imprisoned, and she calls no witnesses at her trial. Why does she make these decisions?

9. Among other things, the Taliban forbid “writing books, watching films, and painting pictures.” Yet despite this, the film Titanic becomes a sensation on the black market. Why would people risk the Taliban’s violent reprisals for a taste of popcorn entertainment? What do the Taliban’s restrictions on such material say about the power of artistic expression and the threat it poses to repressive political regimes?

12. While the first three parts of the novel are written in the past tense, the final part is written in present tense. What do you think was the author’s intent in making this shift? How does it change the effect of this final section?

Wednesday, August 5, 2009

The Time Traveller's Wife by Audrey Niffenegger

For somebody who organises a book-group, I don't read too many novels these days; however, in the past fortnight I have managed to read the first 3 books in the Twilight Saga, The Girl with the Pearl Earring and now, The Time Traveller's Wife. I think it is escapism. Housework and children who won't get ready for school in the morning or go to sleep at night are getting me down. Did I mention in the last post that I am shallow? Because these are all love stories and now I am going to compare leading men. Well, Edward, the vampire, is creepy and doesn't do it for me at all. Jacob is lovely and light, but one summer would be enough. The painter in The Girl with the Pearl Earring is self-centred and weak. So that leaves Henry, the librarian who keeps fit and can cook...Hi, Honey, I'm home.

Once I got my head around the time-travel thing, I really enjoyed this book. I raced through it and now I need to go back and re-read the details. I found a few sets of discussion questions on the web for this book, but I think the following are most suited to our book-group (having trouble posting a link to the original source). See you Tuesday.

1. Why do you think that the book was titled "The Time Traveler's Wife" and not "The Time Traveller"?

2. The story is sometimes told by Clare, sometimes by Henry. Did you like how it was organised? How did their different persepctives help you understand their love?

3. For Clare, there is always a sense of waiting. Discuss the different ways she is waiting throughout the story. What roles do longing, anticipation and absence play?

4. Who is your favourite character and why?

5. How does their desire for a child affect their relationship? How did you feel about the chapters where they were trying desperately for a child?

6. Do you believe that Alva will have a better life than Henry? How is her perspective on time travel different than his?

7. How is their relationship changed by the fact that they experience different events at different times?

8. Is this story fatalistic?

9. Do you agree with Henry's rule of keeping the future a secret from himself so he can live as normal a life as possible? Discuss the times that he breaks this rule and whether you think those are good decisions.

10. Did you like the ending?